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Richard D. James Album Average Customer Review: Audio CD (28 January, 1997) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review If techno ever does become the sound of young America, don't expect Richard James to be its poster boy, deserving though he may be. A native of Cornwall, England, James is obsessed with the mechanics of music making: As a kid, he took apart and reassembled the living room piano. Under the names Aphex Twin, Polygon Window, AFX, and other aliases too numerous to mention, he showed that he could make entire tracks with the sounds produced by tapping on a Coke can. Like the indie rockers of yore, he revels in his marginality because of the creative freedom it gives him. His full-length U.S. debut, Selected Ambient Works Volume II (1994), includes some of the most serene sounds this side of the Orb, but his favorite hobby is the not-at-all-blissful pastime of driving a Daimler Ferret Mark 3 tank through his parents' backyard. None of his recordings have captured the competing impulses to lull you to sleep and blast out your eardrums as well as Richard D. James, his third and best album. As the title indicates, James has turned inward for inspiration, painting aural pictures of real and imagined scenes from his west country childhood. "Goongumpas" is a fanciful, playful tune that wouldn't sound out of place on the soundtrack to Willy Wonka and the Chocolate Factory. As his adventures with the family upright indicate, James was a bit of a devil even as a child. "Beetles" is the sound of a boy frying bugs on the sidewalk with a magnifying glass, and "To Cure a Weakling Child" shows flashes of the sort of sadism found only on preschool playgrounds. If you still doubt that young Richard developed early on, the romantic Nino Rota-style strings on "Girl/Boy Song" are just made for passionate seductions, and the tune appears in three mixes, each one hot and hornier than the one before. The raucous undercurrents of even his calmest tunes and the sources of many of his most common sounds are what link James to the rock tradition. With Richard D. James, the artist solidifies his position as an electronic music mastermind who has earned a spot beside such well-respected innovators--whether or not he's destined for stardom. --Jim Derogatis ... Read more Reviews (115)
1. 4 When bringing the album to America, the record companies decided that 32 minutes was too short for an album and added on the (entertaining, but IMO inferior) 5 tracks from the Girl/Boy EP. 11. Milkman Those five tracks are BONUS TRACKS - they are NOT part of Richard D. James Album. Please consider this when reviewing the album. As for my opinion, RDJ Album is a masterpiece of Drill n Bass, which is the term for the lightning quick, spastic drumming that is so prominent in this work. Note that this rather up-tempo drumming isn't always intense...it can actually be quite soothing (For the best example of this, see Flim from the Come to Daddy EP). For this, I couldn't do anything but give it 5 Stars. Once again, Aphex Twin has released something completely alien to my ears and I love it.
Songs like "4" sound like he took music from the nintendo game "Zelda: The Adventure of Link" and completely rearranged it and added some fast, happy beats. "Peek ..." is my favorite song by far, however. I can't explain it except that it is chaotic and beautiful at the same time - which I can only imagine is hard for any elektronik artist to acheive. "Corn Mouth" is insane - enough said - but I do like it. "Cornish Acid" and "Fingerbib" are great as well - and "Milkman" is HILARIOUS. "Logon Rock Witch" is a compilation of noises and bings, bongs and rings. It's cool. "Girl/Boy song" is cool - but actually, it's one of my least favorites. Sorry. Also, the import version of this album ends after "Logon Rock Witch." The American version of this album has added the "Girl/Boy EP" after track ten which includes tracks 11-15. I hope that that clears up some questions. Also, to find out why RDJ is a genius - play this music on a disc player and put in headphones. When the albums over with you'll know why he's a genius... but - only if you have an open mind.
Asin: B000002HOF |
$10.99 |
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Le Tigre Average Customer Review: Audio CD (30 November, 1999) list price: $11.98 US | Canada | United Kingdom | Germany | France Reviews (50)
This CD is empowering, energetic and fun. It's great to dance to but the lyrics are meaningful. They're a hard band to define, they aren't exactly electro but this is NOT Bikini Kill. It takes more after where Julie Ruin left off I think. Kathleen Hanna sounds like she's having a good time throughout the whole record which makes it just that more good. Even if you aren't a feminist (although if you are - listening to the album is a lot more enjoyable) this a great album to look into. I would get this CD before "Feminist Sweepstakes" because it's harder to get into "Feminist Sweepstakes" if you don't know how Le Tigre began. Deceptacon - GREAT, the first few times I couldn't hear anything she was saying so I didn't like it very much but after I knew the lyrics it turned out to be one of my favorites. Hot Topic - This song is OK, I think it's a great idea for a song but it carries on a little too long. What's Yr Take on Cassavetes - I love this song, it's hilarious and intellectual at the sametime. It also has a great beat to it. Empty - Takes a while to like, but after you get into it, it's a great song to dance and sing a long to. Phanta - A mediocre song, it's good the first few hearings but it gets a little boring after a few more. Eau D'bedroom Dancing - ABSOLUTLEY BEAUTIFUL! This is my favorite song on the album. It's slower than the rest of the songs but it keeps you hooked. Simply singing about dancing in your bedroom but amazing lyrics. Let's Run - Good lyrics but I don't really like the beat. It's a so-so song. My My Metrocard - GREAT song, it's witty, clever, energectic, danceable and fun all at once. I love it. Friendship Station - Another so-so song, not much to say about it. Slideshow at Free University - This is a pretty good song, it has a good beat and it doesn't get tired. Not much to say about it either though. Dude Yr So Crazy! - I love this. Johanna Fateman sings in this song and the beat is haunting. Probably my second favorite song on this album. It's also different from the rest since the beat isn't as upbeat as the rest. Les and Ray - I like this song, I didn't really like at first but I think it's a good song to end. It's sweet and has good lyrics so I'm okay with it.
Asin: B00001ZSUF |
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Gundam Side Story 0079: Rise from the Ashes Average Customer Review: CD-ROM (02 May, 2000) list price: $49.99 US | Canada | United Kingdom | Germany | France Editorial Review A first-person shooter/strategy game based on a Japaneseanimation series, Gundam Side Story 0079: Rise from the Ashes isstrictly "fan fare." Set around the time of the original Mobile SuitGundam cartoons, the war-story plot here is from the grunt'sperspective, with players cast as the leader of a combat unit of MobileSuits (think giant robots). Gameplay is broken down into missions inwhich players command their own Mobile Suit as well as issue orders tocomrades. Although recent Gundam converts may be less than thrilled withthe old-school looks (circa 1978) of the Mobile Suits in Gundam SideStory 0079, the 3-D graphics and animation of the Mobile Suits areincredibly faithful to the cartoons, as are the sound effects. On theother hand, the experience of piloting a Mobile Suit leaves much to bedesired, as it's not nearly as graceful as it looks in the cartoons,and feels more like you're piloting a tank. The controls here areoversimplified, and the first-person cockpit-view perspective is aboutas effective as a peephole in combat situations. While Gundam Side Story 0079 is the first Gundam title tobe released in the United States, it comes from a line of officiallylicensed titles that have always had a spotty history, one which thistitle simply doesn't rise above. --Joe Hon Pros:
Reviews (49)
Control-This is a breeze. It takes you a little while to get used to handling your Gundam's view point and manuevering seperately on the directional pad and analog stick, but that doesnt take long. The auto target button makes it a cinch to attack your enemy as well. Double tapping the directional buttons will let you use your verniers to get around easy. One gripe...down down shouldn't really crouch you, it should let you jet backwards. Besides that, control is very nice. AI-This is kind of a double edged sword here. Your team's AI is great, they are responsive (at times they will kind of walk around though instead of heading directly to their goal) and do as they're told. Its a pain in the but when one of your buddies shoots rockets at you while yer saber dueling another mobile suit, but that isn't too damaging. However...enemy AI is kind of a let down. Most of the time they'll use their preset range attack (they have it set so AI controlled suits attack at long, medium, or short range) and not even move. Once your out of their preset range they'll move ONLY to get back into their specific range to attack. Only way to force them to change is to ram them and force them to saber duel you. While it may seem like you have the advantage when it comes to AI, it takes some of the fun and realism out of the game. Graphics-Absolutely superb...enough said. I dont see one problem with these graphics, they're high res and the color count is just spectacular. This is the biggest place the game excels. Sound-Another great feat in this game. Probably the only part of the game that reminds people of gundam wing. The sounds of movement of your gundam, the clashing sizzling sound of two beam sabers in a test of strength. That pretty much says it for sound effects, as for music it aint half bad. You dont really pay attention to it while in the heat of battle though, so it aint a big deal. Gameplay-Fantastic. Put all the above together and you got one great game. The AI is flawed, but it can be forgiven with the way Bandai made the battle such a great experience. So the gameplay is almost perfect right? Wrong. While the gameplay itself is excellent, it doesn't last long. Ten missions goes by pretty quickly, if you're good at this game you can complete it in less than an hour. Right when you get to the end is when the game really stars to grow on ya. Replaying the game won't make up for it either, since the linear extras are unfulfilling. (You get to have a few photos placed in your cockpit and pick whatever weapons you want for your mission...this doesn't make replaying the expericence any better.) So while the game is short and enemy AI could have used some polishing, this is one game a Gundam fan can definitely enjoy.
Graphics: 9/10 Gameplay: 9/10 Replay Value: 5/10 Asin: B00004SSN8 |
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Spriggan Director: Hirotsugu Kawasaki Average Customer Review: DVD (23 April, 2002) list price: $29.98 -- our price: $26.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Fast paced, violent, and loud, Spriggan uses a combination of drawn and computer animation to deliver the kind of slam-bang thrill ride Final Fantasy only promised. The convoluted plot, based on a manga series by Hirotsugu Kawasaki and Yasutaka Ito, mixes elements from Raiders of the Lost Ark, 2001: A Space Odyssey, Akira, and Universal Soldier. Yu Ominae (voice by Christopher Patton) is a Spriggan, a member of an elite corps of biologically engineered warriors created by the secret organization ARCAM, who finds himself involved in a baroque adventure centered on the newly discovered Ark of Noah. The Ark is actually an extraterrestrial vehicle with the power to alter the Earth's climate and spawn new animal species. A sinister cadre of rogue Pentagon generals wants it and dispatches a corps of murderous cyborgs lead by Col. MacDougall (Kevin Corn), a monstrous child who's also the product of biological experiments, to capture it. ARCAM is determined to prevent the generals from gaining control of the Ark's awesome powers. Yu battles his way to victory through car chases, sword fights, shootouts, explosions, knifings, and psychic blasts, with a little help from fellow-Spriggan Jean-Jacques Mondo (Andy McAvin). Director Hirotsugu Kawasaki handles the action sequences more effectively than the minimal character development, and Katsuhiro Otomo's screenplay doesn't always make a lot of sense. But Spriggan supplies what hard-core action fans sought in vain in many recent Hollywood blockbusters. Just don't sit too close to a speaker. MPAA rated R, under 17 not admitted (for considerable violence). --Charles Solomon ... Read more Features Reviews (64)
Everything in the movie is well done. The action scequences are exciting and well placed, and incorporate their fair share of interestingly designed weapons and gadgets. The drawing is high quality, and the animation is a good example of the modern mixture of cell and digital animation. The character designs are expecially well done, which you'd expect of a movie in which Katsuhira Otomo is heavily involved. As well made as it is, though, Spriggan simply isn't a great movie. That's not to say that there's anything wrong with it, as it's a very well made movie. It simply lacks the special spark that defines the difference between craftsmanship and genius.
Positive: Negative: Overall, Spriggan had some decent action, but there are quite a few slow scenes and Spriggan is not worth watching once the little boy super villian shows up. ... Read more Asin: B000063IMS |
$26.98 |
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Record of Lodoss War Average Customer Review: CD-ROM (02 March, 2001) list price: $49.99 US | Canada | United Kingdom | Germany | France Reviews (9)
Asin: B000059Z7S |
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Generation Star Wars Average Customer Review: Audio CD (21 November, 2000) list price: $11.99 -- our price: $11.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (2)
Asin: B0000508PH |
$11.99 |
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Neon Genesis Evangelion - Perfect Collection Average Customer Review: DVD (09 April, 2002) list price: $169.98 -- our price: $135.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review A benchmark series in the history of anime, Hideaki Anno's Neon Genesis Evangelion is one of the most widely discussed in anime. It's not the first series to combine mecha (futuristic machines, especially robots) with theology and a character-driven story, but it does so exceptionally well. The designs of the robots by Ikuto Yamashita are strikingly original; the questions raised about the future of the human race stimulate viewers' imaginations and the characters show a depth of personality rare in anime. The story is set in 2015, 15 years after a cataclysmic explosion in Antarctica that caused the ice cap to melt, killing a large portion of the Earth's population. Although it was reported as a meteor impact, the explosion was caused by human interaction with Adam, the first of a series of powerful, sentient creatures known as "Angels" to appear on Earth. To defend against their depredations, humans rely on NERV, a secret agency dedicated to destroying the Angels with their gargantuan robot suits called Evas. Only teenagers with special psychic powers can pilot the Evas, and the best pilot is the repressed 14-year-old Shinji Ikari, who is a more interesting, believable character than standard mecha pilots. The two final chapters of the Evangelion series (which originally ran in 1995-96) are highly philosophical ruminations that satisfied neither Anno nor the viewers. The episodes were remade as the theatrical features; however, only the original 26 episodes appear in this set. Not rated; suitable for ages 14 and up: Brief nudity, violence, sexual humor, and complex adult themes. --Charles Solomon ... Read more Features Reviews (246)
This series presents many religious and philosophical questions, dealing with God, Man, his place in the world, and explores many psychological issues of modern man. It goes into an in depth look into its characters, what makes them who they are, why they are, why do they do things, what purpose do they serve, what is the meaning of their lives, and how to improve their lives and find happiness. The dialogue and questions raised can be debated many times. This is just the themes, and ideas being presented, I haven't even mentioned the intriguing story that unravels as you get further and further into the series. There is a lot of conspiracy and secrets, and things that are not as they seem. I won't spoil it here and give any of the secrets away, that would not be fair. If you enjoy Anime that makes you think, and that you can come back to, and analyze and go over many times, this is for you. The animation, battle sequences, music, all add to the quality of the story, themes, questions, and answers brought out in this series. This is a great piece of art that rewards upon multiple viewings. Bring your friends, watch, and when its all over, you'll have lots of things to talk about. 5 stars. HIGHLY RECOMMENDED.
That's just a few, but there is an immense cast of realistic characters, and the plot is insane, weaving all of their stories and motives together into one hell of a tapestry. Asin: B0000639E0 |
$135.98 |
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Skies of Arcadia Average Customer Review: CD-ROM (19 November, 2000) list price: $49.99 US | Canada | United Kingdom | Germany | France Editorial Review Arcadia is a magical world in which folks float through the air on giantairships. A young and lively air pirate, named Vyse--who leads the swashbucklingBlue Rogue pirates--spends most of his time traveling fromfloating island to floating island. While touching down on the Valuan Empire onefateful day, Vyse and his sidekick Aika rescue a mysterious girl, named Fina,who was captured while trying to find six magic crystals that are used to summonGigas--powerful ancient weapons. Naturally, the Valuans want the Gigas fortheir own malevolent political plans; Vyse, Aika, and Fina, then, set out tofind the precious, scattered crystals and fight enemies (both human andnonhuman) to keep the world safe from tyranny. Graphically, Skies of Arcadia is surreal and stunning. In total, thereare six huge lands to explore, with many different kinds of environments--suchas villages, dungeons, forests, and deserts, as well as otherworldlylocations. The turn-based combat system is effective, with more than 70 customizableweapons to use (based on different colors) and more than three-dozen magicspells (and special attacks), as indicated by the game's "spirit bar," shown onthe screen. The visuals during the fight scenes might cause your jaw to fall tothe ground, with its bright lights and mesmerizing colors and textures. Skies of Arcadia is a highly addictive, gorgeous, huge, and deep RPG, andworthy of your attention. Kudos to Sega for creating a breathtaking fantasy thatlikely will be a mainstay in Dreamcasts, well into the spring. --ToddMowatt Pros:
Reviews (100)
Asin: B00004WLVV |
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Brotherhood of the Wolf Director: Christophe Gans Average Customer Review: DVD (24 February, 2003) list price: $19.98 US | Canada | United Kingdom | Germany | France Features Reviews (332)
The movie is loosely based on the events that supposedly took place in the remote French province of Gevaudan in 1764. According to accounts of the time, a monstrous and elusive wolf killed and partially devoured hundreds of French peasants, mostly women and children. Local hunters sought to kill the beast, to no avail; eventually a French regiment was dispatched by the king to bring order to the countryside, and some hapless wolf was shot and showed to the peasantry as the monster that had terrorized the countryside. The movie builds deliciously on this legend, following the investigation of the French naturalist and philosophe Chevalier de Fronsac and his Mohawk blood brother and companion Mani (deftly and athletically played by The Crow's Mark Dacascos). Fronsac (played by Samuel le Bihan)is swiftly ensnared in the countless intrigues of the treacherous province, and swiftly finds himself hunted---by both the Beast and a rogues' gallery of other sinister characters. Brotherhood is a visual treat, with stunning colors and a masterful use of setting to accent the film's gothic, broding, and occasionaly playful mood. From the infamous opening melee fight scene with kung-fu and bo-staves in the rain, to the smoky, exotic interior of a Gevaudan brothel, to the airless and baroque sitting rooms of the local nobility, Christophe Gans revels in the strangeness and opulence of a demon-haunted pre-Revolutionary France. Better still, Director Gans has mastered the most important rule of horror-filmmaking: that which is unseen is more terrifying than that which is seen too much. The scenes wherein the beast is barely seen are so eerie that it's almost a letdown when the most fearsome beast that ever slouched out of Jim Henson's muppet shop lurches from the shadows---almost. The acting is solid throughout, with le Bihan stoic and convincing as Fronsac, Vincent Cassels dastardly as a fanatic nobleman, and Dacascos kicking and thwapping evildoers with great alacrity; sadly, the windsome Emilie Dequienne is thrown away as the love interest. Horror film, period piece, 18th century spy story---who knows, and really, in the end, who cares? Brotherhood of the Wolf is a lavish two hours of glorious fun. Vive le Loup!
Loosely based on true events, this high-powered Gallic blockbuster - directed by Christophe Gans, hired on the strength of his incredible genre-bending adaptation of CRYING FREEEMAN - wowed French audiences when released in 2001. And no wonder! A high-kicking combination of horror movie, period drama, political thriller and 'Matrix'-inspired kung fu pageant, the film combines the best elements of these disparate sub-genres in a dazzling display of technical wizardry. Photographed in widescreen Super 35 by Dan Laustsen (MIMIC, THE LEAGUE OF EXTRAORDINARY GENTLEMEN), and played with solemn conviction by an all-star cast - including relative newcomers Vincent Cassel (LA HAINE), Monica Bellucci (the MATRIX sequels) and Jeremie Renier (LES AMANTS CRIMINELS), and veterans Jean Yanne (most recently seen in BELLE MAMAN) and Edith Scob (the elegant heroine of Franju's LES YEUX SANS VISAGE) - the movie is a riot of action and intrigue, sustained by a multilayered screenplay (co-authored by Gans and Stephane Cabel) which recounts an elaborate fable of class warfare and religious bigotry during a grim period of French history. The fight scenes - choreographed with ruthless efficiency by Hong Kong movie veteran Phillip Kwok (MASTER OF THE FLYING GUILLOTINE, HARD-BOILED, TOMORROW NEVER DIES, etc.) - are fashioned with elegant grace, and edited to perfection by Sebastien Prangere and David Wu Dai-wai (another prominent HK movie figure, Ronny Yu Yan-tai's current editor of choice). Much of the film's otherworldly visual texture is due to the sumptuous art direction (by Guy-Claude Francois [JEFFERSON IN PARIS]) and costume design (by Dominique Borg), which roots proceedings in a recognizable period 'style', despite Gans' resolutely modern approach to the material. It shouldn't work, but it does, somehow. The 'explanation' for the beast and its murderous activities - which takes into account a wide range of modern research into the story of an animal which really DID terrorize the French countryside during the 18th century - forms the backbone of the entire production, and while much of the film is a rip-roaring joy, the climactic sequences are offset by an element of tragedy and sadness, which thoroughly distinguishes the movie from most of its Hollywood counterparts. All in all, BROTHERHOOD OF THE WOLF is a magnificent folly, way ahead of its time, and quite unlike anything ever made before. This review is based on a viewing of the Canadian disc from TVR Films which presents the original French version in its entirety (the international version, including the one released in the US and UK, appears to be shorter by about 10 minutes) and runs 150m 34s, minus the logos which open the video print and weren't part of the original production, and letterboxes the scope frame at 2.35:1 (anamorphically enhanced). The US disc - a region 1 release from Universal - is a no-frills affair which features a letterboxed anamorphic version of the shorter print, and some reviews suggest it's a better-looking transfer than the one featured on the Canadian disc. Captions and subtitles are provided. The Canadian version, however, is a 3-disc spectacular, and features (amongst many other things) an extremely frank documentary on the making of the film which opens with an actress being clobbered during an accident on-set, and proceeds to outline the various obstacles which constantly threatened the production schedule (not least the unpredictable weather during location shooting) and ultimately strained relations between director Gans and co-producer Samuel Hadida. That such a remarkable film emerged from these traumatic circumstances says much about the talent and dedication of these extraordinary gentlemen and all those who helped bring their unique vision to the silver screen. A triumph.
did we see the same movie? Asin: B00006ADEM |
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Parasite Eve Average Customer Review: CD-ROM (16 November, 1999) list price: $49.99 US | Canada | United Kingdom | Germany | France Editorial Review Parasite Eve tells the story of Aya Brea of the NYPD on a case involving massspontaneous human combustion, mutating animals, and the mitochondria revolution. Sound fun?Confusing? Parasite Eve is both. It begins when Aya is attending an opera at Carnegie Hall. The soloist bursts into song and theaudience bursts into flames. Somehow, Aya is the only attendee who isn't affected. Notsurprisingly, she wants to know what's going on. This curiosity, coupled with her duties as a policeofficer, grows into a full-scale investigation. Parasite Eve's mechanics are simple, yet elegant. From combat to level advancement, thegame runs easily and smoothly, making it ideal for someone new to role-playing games (RPGs).Experienced RPGers should still enjoy it for its brilliant storyline. Technically speaking, the game's graphics and sound are good, but not spectacular. The full-motioncutscenes are superbly done. Parasite Eve is a good game--there's just not enough of it.While it doesn't feel crammed together, the story seems to resolve quickly. Brilliant while it lasted,Parasite Eve left me wanting more. --John Cocking Pros:
Features Reviews (97)
Story plays out like a movie, and the dialogue sounds like something real people in the 20th century will actually say. Though other folks may find the game too short, it was actually one of the things I liked about it, since I have to work and don't have hours to spend in front of the playstation. Some people may also compare it with survival horror games such as Silent Hill or Resident Evil, but I think this game isn't as creepy (just for info, my measure of a game's creepiness is totally subjective and depends on whether or not I can play it at night when I'm all by myself :). The pacing of the story is just right, just enough to hook you in so that you'll want to know what happens next. Beating the game once also enables you to play in ex-mode, where you can enter another area and find out a little bit more about Aya. In addition, the game allows you to carry over stats or features from previous weapons and armors so that, if you're obsessive about perfection, like most RPGers I know, you end up spending a lot of time customizing in order to get the best possible weapon & armor. Battle system is nice too, kind of like dothack (where you can run around the enemy and essentially pause the game while you bring up the menu and choose what you want to do next) but without the camera whiplashing around like crazy. Good music as well. Overall, a good buy.
Asin: B000038ABO |
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Field Manual Average Customer Review: Audio CD (04 July, 2000) list price: $13.99 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (7)
Asin: B00005JIXE |
$13.99 |
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Nine Inch Nails: Self-Destruct by Average Customer Review: Paperback (01 October, 1997) list price: $13.95 -- our price: $10.46 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (33)
Instead Martin Huxley decides to focus more on Trent's musical career prior to Nine Inch Nails, with the various successes and failures which filled his life in the musical world, also discussing the making of all the albums up to "The Downward Spiral", the stress of touring and writing an album, and Trent's fallout with one-time bandmate Richard Patrick of Filter. Piecing together pieces of articles and interviews, along with his own views on Nine Inch Nails' honest and disturbing message, Martin Huxley does a good job of compiling some of the best information on one of the best industrial artists in history (even though Trent prefers not to be called "industrial"). After all, genres can be real limitations. Pick this up whether you're a hardcore fan of NIN or not. Either way it's well-written and interesting and you'll learn something about the band that you didn't know before.
Isbn: 031215612X |
$10.46 |
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Don't Fuck With Us Average Customer Review: Audio CD (16 April, 2002) list price: $15.98 -- our price: $15.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (3)
The result of Alec's next masterplan is a 3 CD set of probably for most people unknown artists and to be honest if you don't know artists like Heartworm, Ronin & Schizoid praise yourself lucky, because most artists on this compilation can't even compete with the material from old DHR acts as Ec8or, Bomb20 & Christoph de Babalon. The whole concept just got stucked in an amateurish attempt from some DHR fans who are probably now living on top of their narrow minded musical world because their name is on a CD which also contains the DHR logo and some manifest from the master himself you can't hardly take any serious. This release is a complete joke and if your name isn't on this CD don't buy it!! There's plenty of talent running around in the underground scene these days only they're not so stupid to send their material to the DHR label. Final conclussion: complete waste of money even for a good laugh
(you're clicking the BUY button, right?)
Asin: B00005T7JW |
$15.98 |
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A Chance to Cut Is a Chance to Cure Average Customer Review: Audio CD (13 March, 2001) list price: $15.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (23)
The sound sources on this disk, as everyone has already remarked, range from innocuously traditional instruments like guitars, drums, and synths all the way to goat spines and the sometimes horrifying, sometimes amusing sounds of cosmetic surgery. What reviewers don't usually discuss is the imagination with which these materials are combined and juxtaposed. Matmos's music thrives on contrast. Their last LP, "The West", combined twangy steel-strings, out-of-context vocal samples, and Ennio Morricone flutes with clicking, grinding, and occasionally bone-crushing computer-generated noises. The variety of musical material on "A Chance To Cut" is, if anything, more pronounced. To describe all of my favorite moments would be giving the game away, but the transformation of a hearing test into the audio equivalent of a word-association game, and then into a bouncy house track is a bizarre feat of musical wit that must be heard to be believed. Listen and read carefully, though, as Matmos play both sides of the game. While many of the surgery recordings end up sounding perfectly ordinary, there are a few sounds thrown into the mix that suggest all too vividly the slurping of fat through a tube, or the cutting of skin. Read the liner notes, though, and you see that the sound sources for the song include both "Liposuction surgery recorded in California" and "Straw and Water". It's not all a gross-out party game, though, as Matmos turns the tempo for an elegiac orchestra in track 05, "for felix (and all the rats)". If the effect of the music is sobering, even more so is the track's description in the liner notes: "Composed entirely from the plucked and bowed cage of our rat Felix (R.I.P.). Sadness at the loss of our pet is put in perspective by the fact that a laboratory animal dies every second in the United States." If there's one thing this disc lacks, it's the feeling of coherence that Matmos achieved with "The West". These tracks are all great, and the diversity of music is enjoyable, but the disc doesn't really hold together quite as well. My final verdict: If you already know you like Matmos, buy this disc immediately. It's a solid continuation of their previous work. If you have never heard them before, though, start with "The West".
Asin: B000059N62 |
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Sharp VLSD20U Digital ViewCam with 3" Color LCD Screen Average Customer Review: Electronics list price: $799.99 US | Canada | United Kingdom | Germany | France Editorial Review The Sharp VLSD2OU Digital Viewcam offers a wide range of features beyond the standard Hi8 image quality. Its 660,000-pixel CCD image sensor gives its pictures high resolution and clarity.It provides a large 3-inch LCD screen using Sharp's unique swivel design, making it easy to shoot from different angles. Image stabilization help reduce camera shake, and a 100x digital zoom gets you extra close to the action. This Viewcam's PCM digital audio reproduction and Wind Break microphone provide the sound quality of digital audio tape for playback and recording. Digital gamma compensation adjusts only the dark parts of a shot to optimal brightness levels, leaving the bright sections untouched so they don't become glaringly washed out. The lightweight, palm-size body makes this Viewcam one of smallest and most travel-friendly models on the market. ... Read more Features Reviews (20)
I found this camera ...on Amazon six months ago and was amazed with the picture quality and comfort of use of this camera at the price. I am giving the camera a full thumbs up after more than 6 months of use! I like the no viewfinder concept... (I wear glasses and it is a pain to look thru viewfinders!) You also center the frame well - what you see in the LCD is what you get! The camera has a IR remote and a reversible viewscreen which allows me and my wife to take our pictures without anyone elses help. Just turn the camera towards you and you can see yourselves on the small LCD screen and use the remote even to zoom upto 10X. (It has digital zoom, but a purist like me cannot use digital zoom!) I bought a Inland Firewire Card (which came with a ULead videosystems Videomaker software)...and am very pleased with the quality of the home VCD that I made from it. Of course, I had an old AMD K6-350 Desktop running Windows 98 - which meant downloading patches for DV editing from inlandfaq dot com site and buying a Maxtor 40GB Harddrive ... to upgrade my old and shaky compaq PC! I am finally happily creating great home movies with lots of special effects at a premium price .. and recommend everyone to do the same. Do not waste money when you can save! DV quality is within your reach...P>As for still pictures, I find grabbing the DV frames at 780x640 resolution using the DV software is the best way. You really donot need a memory stick or more resolution, it prints upto 5x6 prints, even 8x10s look great if printed on a laser printer... Your pictures look great as 10x zoom lets you take great closeups of just the face! I find my pictures better than ones taken on 2megapixel still cameras as the closeup really makes up for lower resolution esp in natural light conditions. Happy DV editing!
Asin: B00004SY5M |
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Clock Tower Average Customer Review: CD-ROM list price: $49.99 US | Canada | United Kingdom | Germany | France Features Reviews (13)
Asin: B00002SU8F |
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Showbiz Average Customer Review: Audio CD (28 September, 1999) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Often compared to Radiohead, the youngsters in Muse make no bones about their love of Thom Yorke and company. Like Radiohead and their other favorite band, Nirvana, the tracks on Muse's debut go straight for the quiet verses and windstorm choruses associated with those acts. Unfortunately, Muse don't have that crackling aura their idols possess, and that's something that no amount of production can fix.Still, it's hard to write them off completely after hearing the single "Muscle Museum," which hints at brighter days on the horizon.Radiohead's Pablo Honey wasn't that great an album either, and look at them post-OK Computer.If they're going to crash American radio, they'll have to wait until the next release. --Jason Josephes ... Read more Reviews (129)
The whole album has an angsty feel, and there is serious passion in Matt's vocals, not least in the amazing opener, Sunburn. The lyrics are passionate and if pain could be turned into a song it would sound somewhere near Sunburn, with its heavy guitars, breaking vocals and hyptonising piano. This is followed up by Muscle Museum, one of the best songs of recent times. The Latin-like guitar riff delicately opens it and the tune is really catchy, with a good bass line. It then breaks into another angsty chorus ('Can you see that I am needing/Begging for so much more that you could ever give/I don't want you to adore me/Don't want you to ignore me/Where it pleases you/I'll do it on my own'). This is the best songs on the album, its also fairly heavy. Filip is the next. Its a weird track but I've grown to love it. It's chorus is beautifully dischordant and it seems to be speeding up incessantly until Matt whines 'to you' in the chorus. Next is the first light track on the album, Falling Down, but its not a boring acoustic song, its got a ghostly feel to it. The falsetto is used superbly on this track. Cave is another angsty rocker. It sounds really ghostly, and nearly descends into goth despite its falsetto as Matt screams 'Come into my cave and I'll burn your heart away' in the chorus. Its another memorable song. Showbiz is also ghostly, as it begins with African drums and deep vocals, manifesting itself in a heavy chorus as Matt screams 'They make me dream your dreams/Make me scream your screams' but then the original vocal tune is played in a high octave shimmeringly on the guitar like one of those really slow metal songs. Unintended is the second light tune, but is even more ghostly than Falling Down. The lyrics are superb and the falsetto is totally chilling. This is the first Muse track I heard and I thought they were all like this, but the album is much much harder. Uno is next and was the band's debut single. It has superb lyrics ('This means nothing to me/ cos you are nothing to me/And it means nothing to me that you blew this away/Cos you could have been number one if you only found the time/And you could have ruled the whole world if you'd had the chance') and a painful chorus. Its the third Muse track I heard and, after Muscle Museum and Unintended, convinced me to buy the album. Sober is similar to Filip, but with slightly less effect. However its still an excellent track. Escape starts off like Falling Down or Unintended and by the end is a bit harder. Its tune is very haunting. Overdue has a slightly electronic feel to it, but is still primarily rock and in basic tune is similar to Cave, for example. The final track, Hate This And I'll Love You, is really heartbreaking, and a great album closer. It sounds similar to Showbiz. I would NOT reccomend this CD if you only like happy music, but if you like good music, I would reccomend it. The best tracks are Muscle Museum, Uno, Sunburn, Cave and Unintended, but there are other excellent tracks too.
Asin: B00001SIES |
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